About
Violinist Marc Djokic is the concertmaster of the Orchestre classique de Montréal (2024 Juno Winner for Album of the Year) and co-director of the multidisciplinary ensemble ART CRUSH (Groupe Ensembl’arts). He is a Mécénat Musica Prix Goyer recipient, a Prix Opus recipient and winner of the 2020 ECMA Classical Recording of the Year for his debut album Solo Seven.
Djokic’s recent album recordings include Shadow & Light, featuring three Canadian double concertos (Centrediscs), and Piazzolla – Port of Call: Buenos Aires (Analekta). His second solo album, Solo Eight, will be released by the ATMA Classique label in early 2026. Djokic will start work on recording a third solo album with ATMA in 2026.
An accomplished chamber musician, Djokic tours extensively throughout Canada, the United States and Europe. A particular focus of his work is chamber repertoire with theremin and piano (Air, Strings and Keys), duo collaborations with marimba (Bev and Marc), a trio with guitars and violin (Trio Tangere). Through his organization Art Crush (Ensembl’arts) Djokic collaborates widely on multidisciplinary concerts, workshops and community projects.
As a soloist Djokic has performed with orchestras such as the Orchestre Classique de Montréal, the Toronto Symphony Orchestra and the National Arts Centre Orchestra. From 2022 – 2024 he presented a multi-city tour of new Canadian violin concerto Under the Shadow of the Cypresses, written for him by Robert Rival.
Born in Halifax, Nova Scotia, Djokic grew up in a large musical family. He first and foremost studied with his father, violinist Philippe Djokic who was also a pupil of violin pedagogue Ivan Galamian. Marc Djokic continued his studies in the United States under the tutelage of David Russell, Donald Weilerstein, and Jaime Laredo. He performs on a rare Guarnerius violin from 1740, a Carl Becker 1927, and a Hannibal Fagnola 1922.
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“Astonishing… a certain inevitable perfection to his playing, as if he could not make an error or fail to deliver a single nuance to a note. Christopher Bergland, an ultrarunner, calls it superfluidity: “… a state of performing with zero friction, zero viscosity, and superconductivity — it is a state of absolute harmony and endless energy.” That’s the zone where Djokic was, stepping squarely into it each time he picked up his bow.” The Buzz, PEI
“..du violon de haut niveau. L’héritage musical est là, évident à chaque instant: dans le sens rythmique, dans le phrasé naturel, dans la sonorité égale…” – Claude Gingras, La Presse
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